My work is constructed through structure, intuition, and chromatic tension.

Each composition begins with a central figure or core element, carefully balanced in space before color activates the entire surface.

Color is not decorative in my practice — it is architectural. It constructs relationships, creates circulation, and connects every element within the canvas. Nothing exists independently; forms are linked, interdependent, in constant dialogue.

From a distance, the viewer is first captured by the intensity of color.

At closer range, graphic structures emerge.

Finally, text and symbolic details invite a third reading, a deeper immersion.

My paintings are not spontaneous gestures. They are constructed worlds — precise, deliberate, and alive.